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FELLOWSHIPS RECITALS & PORTFOLIO

These projects were submitted as formal performance and composition assessments for Fellowship awards across four disciplines. Each reflects a credentialed standard of excellence evaluated by international boards, combining artistry, technique, and educational rigour.

Percussion Fellowship Recital Highlights

Twelve works for snare drum, drum kit, hybrid/world percussion, and digital brushwork. The set traverses classical études, original compositions, and jazz medleys, using rhythmic layering, extended techniques, and global idioms to reframe percussion as narrative expression.

Awarded F.Perf.ASMC, Australian Society of Musicology and Composition, Australia

Contemporary Piano Accompaniment Fellowship Highlights

A multi-genre submission covering jazz vocal work, cross-style accompaniment, and modal comping. Includes live duet recordings, chordal transcription analysis, and a video portfolio reflecting advanced accompanying sensibility and real-time responsiveness.

Awarded FTCSM, Three Counties School of Music, UK

Copy of Copy of FPerfASMC Recital Dr Eugene Seow.png

Electric Bass Guitar Fellowship Recital Highlights

Seven solo works spanning Bach, Jaco Pastorius, bebop, slap fusion, and Dream Theater. This recital demonstrates technique across fretless, fingerstyle, slap, chordal, plectrum, and seven-string electric bass in a continuous arc from classical refinement to metal virtuosity.

Awarded FNCM, National College of Music, UK

Composition Fellowship Portfolio Highlights

A submission of original compositions supported by detailed programme notes. Works include solo, chamber, and vocal SATB idioms, highlighting rhythmic asymmetry, motivic development, and theory-integrated craft. Download the curated highlights here.

Awarded FVCM(Hons), Victoria College of Music, UK

TESTIMONIALS

“In formal feedback from the National University of Singapore (AY24/25), Eugene’s tutoring work with NUS Voices received outstanding ratings, averaging 4.8/5 across all evaluation categories. (Managerial feedback confirmed by River Chua, Centre for the Arts, NUS.)”