Recently, I had the opportunity to present at the fifth conference of the International Network for Artistic Research in Jazz (INARJ), held at the Koninklijk Conservatorium Brussel under the theme “Places and Spaces”. It was a fitting setting for the paper I brought there: “Pocket as Embodied Space: Reflections from the Bandstand.” The conference framed artistic research in jazz as a serious and expanding site of inquiry, explicitly naming embodiment as one of its core strand